Serveur d'exploration sur Notre-Dame de Paris

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

Aesthetic Issues in Book Cover Design 1880–1910

Identifieur interne : 000178 ( Main/Exploration ); précédent : 000177; suivant : 000179

Aesthetic Issues in Book Cover Design 1880–1910

Auteurs : Ellen Mazur Thomson

Source :

RBID : ISTEX:EF815C32EB199D28AA4A417899905DB768EE2E83

Abstract

This essay examines the aesthetic issues that book binders and their chroniclers addressed in France, England and America from 1880 to 1910, a period during which the aesthetics of book covers became a topic of passionate debate. In this debate, the distinction between fine hand binding and commercial cloth binding was of less concern than the function of the book as a designed object, the book cover's relation to the text it enclosed and the appropriate forms of decoration for book bindings. It is generally acknowledged that the field was reinvigorated, if not transformed, by two bookbinders, Thomas James Cobden-Sanderson (1840–1922) in England and Henri François Marius Michel (1846–1925) in France. Both men rejected the duplication of traditional decorative schemes and aspired to a more personal, artistic expression. These ideas are analysed as responses to the challenge of designing objects for the world of mass production.

Url:
DOI: 10.1093/jdh/epq020


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

<record>
<TEI wicri:istexFullTextTei="biblStruct">
<teiHeader>
<fileDesc>
<titleStmt>
<title>Aesthetic Issues in Book Cover Design 1880–1910</title>
<author wicri:is="90%">
<name sortKey="Thomson, Ellen Mazur" sort="Thomson, Ellen Mazur" uniqKey="Thomson E" first="Ellen Mazur" last="Thomson">Ellen Mazur Thomson</name>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:EF815C32EB199D28AA4A417899905DB768EE2E83</idno>
<date when="2010" year="2010">2010</date>
<idno type="doi">10.1093/jdh/epq020</idno>
<idno type="url">https://api.istex.fr/ark:/67375/HXZ-B17ZRQ7B-K/fulltext.pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000728</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000728</idno>
<idno type="wicri:Area/Istex/Curation">000727</idno>
<idno type="wicri:Area/Istex/Checkpoint">000107</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000107</idno>
<idno type="wicri:doubleKey">0952-4649:2010:Thomson E:aesthetic:issues:in</idno>
<idno type="wicri:Area/Main/Merge">000177</idno>
<idno type="wicri:Area/Main/Curation">000178</idno>
<idno type="wicri:Area/Main/Exploration">000178</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title level="a">Aesthetic Issues in Book Cover Design 18801910</title>
<author wicri:is="90%">
<name sortKey="Thomson, Ellen Mazur" sort="Thomson, Ellen Mazur" uniqKey="Thomson E" first="Ellen Mazur" last="Thomson">Ellen Mazur Thomson</name>
<affiliation>
<wicri:noCountry code="no comma">E-mail: emazurthomson@aol.com</wicri:noCountry>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series>
<title level="j">Journal of Design History</title>
<idno type="ISSN">0952-4649</idno>
<idno type="eISSN">1741-7279</idno>
<imprint>
<publisher>Oxford University Press</publisher>
<date type="published" when="2010-09">2010-09</date>
<biblScope unit="volume">23</biblScope>
<biblScope unit="issue">3</biblScope>
<biblScope unit="page" from="229">229</biblScope>
<biblScope unit="page" to="245">245</biblScope>
</imprint>
<idno type="ISSN">0952-4649</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt>
<idno type="ISSN">0952-4649</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass></textClass>
</profileDesc>
</teiHeader>
<front>
<div type="abstract">This essay examines the aesthetic issues that book binders and their chroniclers addressed in France, England and America from 1880 to 1910, a period during which the aesthetics of book covers became a topic of passionate debate. In this debate, the distinction between fine hand binding and commercial cloth binding was of less concern than the function of the book as a designed object, the book cover's relation to the text it enclosed and the appropriate forms of decoration for book bindings. It is generally acknowledged that the field was reinvigorated, if not transformed, by two bookbinders, Thomas James Cobden-Sanderson (1840–1922) in England and Henri François Marius Michel (1846–1925) in France. Both men rejected the duplication of traditional decorative schemes and aspired to a more personal, artistic expression. These ideas are analysed as responses to the challenge of designing objects for the world of mass production.</div>
</front>
</TEI>
<affiliations>
<list></list>
<tree>
<noCountry>
<name sortKey="Thomson, Ellen Mazur" sort="Thomson, Ellen Mazur" uniqKey="Thomson E" first="Ellen Mazur" last="Thomson">Ellen Mazur Thomson</name>
</noCountry>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Europe/France/explor/NotreDameDeParisV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000178 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000178 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Europe/France
   |area=    NotreDameDeParisV1
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     ISTEX:EF815C32EB199D28AA4A417899905DB768EE2E83
   |texte=   Aesthetic Issues in Book Cover Design 1880–1910
}}

Wicri

This area was generated with Dilib version V0.6.33.
Data generation: Fri Apr 26 15:12:32 2019. Site generation: Tue Mar 5 07:23:53 2024